Eccentric: The Aesthetics Of Freedom

Oct 25, 2024 - Apr 27, 2025

Bold and free, funny, touching, disturbing – exhibits by 50 international artists show that eccentricity involves far more than outrageousness or decadence. Rejecting all forms of ideology, it is a social driver of freedom and tolerance. Around 100 works, including painting, sculpture, installation art, video, and design present a celebration of diversity beyond all rigid norms and cliches. They illustrate the perspective of the ‘ex centro’, the view from outside a fictitious centre. 

The exhibition Eccentric explores the multifaceted spectrum of identity and humanity. The artists experiment in a variety of different media, using the most diverse materials and techniques. They observe and process on their motifs and subjects from the most surprising perspectives. They distort, deform or liquefy figures and forms, combining them into hybrid or amorphous compositions.



Bold and free, funny, touching, disturbing – exhibits by 50 international artists show that eccentricity involves far more than outrageousness or decadence. Rejecting all forms of ideology, it is a social driver of freedom and tolerance. Around 100 works, including painting, sculpture, installation art, video, and design present a celebration of diversity beyond all rigid norms and cliches. They illustrate the perspective of the ‘ex centro’, the view from outside a fictitious centre. 

The exhibition Eccentric explores the multifaceted spectrum of identity and humanity. The artists experiment in a variety of different media, using the most diverse materials and techniques. They observe and process on their motifs and subjects from the most surprising perspectives. They distort, deform or liquefy figures and forms, combining them into hybrid or amorphous compositions.



Contact details

Sunday
10:00 AM - 6:00 PM
Tuesday - Wednesday
10:00 AM - 6:00 PM
Thursday
10:00 AM - 8:00 PM
Friday - Saturday
10:00 AM - 6:00 PM
Barer Strasse 40 Munich, Germany 80333

What's on nearby

François Boucher</a>’s sensual depiction of a young woman lying unclad on a sofa rests entirely within the period of its origin, the Rococo. For his depiction of erotic nudity, the painter dispenses with any customary mythological-historical frame – something that was still a risk even in the Age of Enlightenment. For whom, however, was the painting intended? Why are the layers of paint in such a fragile condition? And do we know anything about the person depicted? Many questions crop up on encountering this painting once again that has since been analysed art-technologically, conserved and restored at the Doerner Institut and will return to the rooms of the <a target="_blank" href=https://www.mutualart.com/Exhibition/Eccentric--The-Aesthetics-Of-Freedom/"/Organization/Alte-Pinakothek/2D6E0AB40B8E0C09">Alte Pinakothek</a> in February.</p><p><br></p>" />
Stephan Balkenhol</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Eccentric--The-Aesthetics-Of-Freedom/"/Artist/Leiko-Ikemura/72CD27F9B7F4383C">Leiko Ikemura</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Eccentric--The-Aesthetics-Of-Freedom/"/Artist/Maximilian-Rodel/C01BA930DE0B95EC">Maximilian Rödel</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Eccentric--The-Aesthetics-Of-Freedom/"/Artist/Thomas-Ruff/80192FD6E6B322FC">Thomas Ruff</a>, <a target="_blank" href=https://www.mutualart.com/Exhibition/Eccentric--The-Aesthetics-Of-Freedom/"/Artist/Thomas-Struth/E26A83EB36906FFE">Thomas Struth</a> and Thu-<a target="_blank" href=https://www.mutualart.com/Exhibition/Eccentric--The-Aesthetics-Of-Freedom/"/Artist/Thu-Van-Tran/B9028E232AFCB0B1">Van Tran</a>. The selected works from different media and art-historical traditions are united by a sensual approach to nature that is capable of illuminating its transformative potential, reflecting its inherent cyclicality as a fundamental principle of our tangible world or illuminating/deconstructing facets of its characterization as an archetypal place of longing and refuge. In an efficiency- and speed-optimized, technoid society, however, nature is also increasingly exposed to interference and processes of change through the Anthropocene and the perception of nature as an exploitable resource; a complex ambivalence that is also subtly revealed in the exhibition.</p><p><br></p>" />
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