Ann Veronica Janssens

British | 1956

Ann Veronica Janssens is a British Postwar & Contemporary sculptor who was born in 1956.

How much does an Ann Veronica Janssens cost?

Ann Veronica Janssens's work has been offered at auction multiple times, with realized prices ranging from 159 USD to 35,536 USD, depending on the size and medium of the artwork.

What is Ann Veronica Janssens's most expensive sculpture?

Since 2005 the record price for this artist at auction is 35,536 USD for Sky Blue, sold at Sotheby's Paris in 2023.

Where can I see Ann Veronica Janssens's works?

Her work is currently being shown at multiple venues like Louisiana Museum of Modern Art in Humlebæk. Numerous key galleries and museums such as Kunstmuseum Den Haag have featured Ann Veronica Janssens's work in the past.

Ann Veronica Janssens in the news

Ann Veronica Janssens has been featured in articles for e-flux, MOUSSE Magazine and FAD Magazine. The most recent article is Kiasma's New Exhibition Shines Light on the Fascinating Spectrum of Contemporary Art Materials written for ArtDaily in February 2025.

Featured for Sale

Untitled (1998

By Ann Veronica Janssens

De Vuyst

At Auction

Notable Lots

Ax ,2006

By Ann Veronica Janssens

+14%

above mid-estimate

REGGAE COLOUR ,2004

By Ann Veronica Janssens

+114%

above mid-estimate

Sky Blue

By Ann Veronica Janssens

-13%

below mid-estimate

VIEW 66 ARTWORKS

Upcoming Lots

Untitled (1998

By Ann Veronica Janssens

De Vuyst

Recent Auction Results

Eclips, 2013 ,2013

By Ann Veronica Janssens

+2%

above mid-estimate

Bonhams Cornette de Saint Cyr, Brussels

Project for the Chapelle Saint Vincent - Ann Veronica Janssens

Project for the Chapelle Saint Vincent ,2013

By Ann Veronica Janssens

-21%

below mid-estimate

Antenor Auction

5 lines of pink in the air, randomly, 2020 - Ann Veronica Janssens

5 lines of pink in the air, randomly, 2020 ,2020

By Ann Veronica Janssens

-60%

below mid-estimate

Santa Fe Art Auction

VIEW 65 AUCTION RESULTS

Current Exhibitions

Presents: Private donations to S.M.A.K.

S.M.A.K. Ghent

Gent | Belgium

Oct 05,2024 - Mar 09,2025

Parrhesia* - Works from the Collection

Louisiana Museum of Modern Art

Humlebæk | Denmark

Nov 28,2024 - Mar 16,2025

Prosodic Grains

BY ART MATTERS

Hangzhou | China

Nov 02,2024 - Mar 30,2025

VIEW 147 EXHIBITIONS

Articles

Private museum addressing gender inequality in Norway’s art scene opens

The Art Newspaper 17/02/2025

Sixty percent of the acquisitions at PoMo in Trondheim will be by women artists.

Kiasma's New Exhibition Shines Light on the Fascinating Spectrum of Contemporary Art Materials

ArtDaily 14/02/2025

Layers of paint are folded like fabric, optical fibres form a lace-like curtain, an oval window leans against the wall as if worn out by the passage of time itself, and marble-like patterns in concrete are created out of hair.

Exhibition Programme 2025

e-flux 15/01/2025

WIELS presents OBSTAKLES, a major survey of Willem Oorebeek’s work. Since the early 1980s Willem Oorebeek (1953, NL) has been a prominent figure with an extensive presence in exhibitions, publications, and as a teacher and a mentor.

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Coverage

“ ..It includes artists who use light as basic material respectively as component or carrier of meaning for complex issues with regard to past and present, social and individual processes and phenomena, who... ”
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Biennale fur International Lichtkunst

“ ..Janssens’ works range far and wide, but they can all be described as sculptures that use the space as a stage for sensory expansion... ”
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Louisiana Museum of Modern Art

“ ..“It’s a question of provoking an experience of excess, of the surpassing of limits,” she has explained, including “situations of dazzlement,” vertigo, speed, and even exhaustion among feelings that can... ”
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Nasher Sculpture Center

“ ..Centring on LIGHT as a medium, the biennale's profile will include a rotational change of its focal theme and venue, thus permitting the respective artistic directors and invited artists to deal topically... ”
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Biennale fur International Lichtkunst

“ ..Almost all of the works used artificial light to conjure a sense of sculptural space that directly called into play our individual perceptual responses... ”
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Museum of Contemporary Art, Sydney